At long last we can finally share our new version of issue 8: Duke and Disorderly which tells the story of a posh duke with a very long name: William John Cavendish Cavendish-Scott-Bentinck, 5th Duke of Portland (17 September 1800 – 6 December 1879). I wanted this story changed for two reasons: Firstly, the original narrative was over crammed with information which made it difficult for our target audience to follow. This is my fault because I wanted certain things including (the parallel lives of Sarah Winchester and the Duke represented by their respective building projects and influential father figures; the Archduke Ferdinand shooting incident).
Secondly, the focus was too much on the two young characters in the story and not enough about the Duke of Portland. When you’re producing a monthly digital comic you get caught up in the flow of deadlines and it’s only as a project develops and more content comes in that you realise exactly what it is you want to achieve. I wanted the stories to have more literary facts, such as David Belbin and Ella Joyce’s Shelves (Stanley Middleton) and Kevin Jackson and Hunt Emerson’s D.H Lawrence Zombie Hunter. The below panels are examples of how we added text and images to build up a more comprehensive biography of the Duke.
There were too many characters in the original story and so the first thing we had to do was sharpen the reader’s focus. We did this on page 8 by removing the two characters in the top left panel and introducing Suzy and her new meathead boyfriend. This meant they appeared throughout the page and became more significant to the narrative. The additional text helped us introduce bullying to the story.
We introduced a new character towards the end, a young black girl who Ben hooks up with. She is the opposite of Suzy and likes reading, which fit better with the overriding theme of Dawn of the Unread. Again, this meant erasing peripheral characters so that the reader could focus on key characters.
Point 1: Is the original page and has no text and too many characters.
Point 2: Originally had a random girl taking a photo. This was changed to the black girl taking the photograph (3) as it enabled us to introduce her into the bottom panels.
We had to redraw the last two panels to sharpen up the narrative. In the previous pages we had seen how money has had a damaging effect on the Duke of Portland and Sarah Winchester. Now we could demonstrate that Ben had learned something and therefore isn’t tempted to sell his signed book on eBay.
All of our comics include a small animation (again, this was something that was decided latterly). In this issue I wanted the inside of a trench from WWI to turn red to represent blood. This was vital in the rewriting of the story as it helped better link Sarah Winchester and the Duke of Portland as additional text added later on discusses the Duke’s love of the colour pink.
The writer for our Duke of Portland issue is Andrew Graves who has been shortlisted for the Saboteur Awards for his spoken word show God Save the Teen. I’ve seen it three times, and I hope he wins because he’s a brilliant writer who is able to blend compassion, wit and politics so that you leave feeling a host of emotions.
There’s also good news regarding playwright Nick Wood, who wrote an embedded essay for us about his hopes of one day staging an adaptation of Mick Jackson’s Duke inspired book The Underground Man. It’s coming to the Nottingham Playhouse later this year.
You can read the new Duke of Portland issue here