We’re currently working on a print version of the Dawn of the Unread serial and then I’ll be going into hibernation as I begin 6 months of research into a possible part II to our literary graphic novel. It’s tentatively titled Untold Stories and will give voice to those who dare not, or cannot, speak for fear of persecution. But more of this another time. For now, here’s a quick update on what some of our writers and artists have been up to.
Kate Ashwin, the artist for our Byron Clough issue, achieved the first stretch goal of her kickstarter campaign in record time, waking the next morning to discover she’d reached her pledged goal of £4,000. At the time of writing she’s nearly doubled her original goal. The money will enable her to print the latest issue of her Victorian adventure romp Widdershins: The Green-Eyed Monster. She’s also dyed her hair blue.
Nicola Monaghan (aka Valentine) explored the life of Alma Reville in issue 6. In addition to offering aspiring writers advice via trance tracks, she’s found a digital publisher in Blue Morpho Press. The Troll book 1 is out now and book 2 is due to follow any time soon. You can also read her first collection of short stories ‘The Night Lingers and other stories’ or sit back and enjoy her forthcoming film STARCROSS. Phew, that girl’s been busy.
In Issue 8 Nick Wood gave us an insight into book adaptations. ‘First thing I do is skim read. Quick as I can. Finish. Close the book. Try and forget it. Let a week pass. Write down those things that come first to my mind. Somewhere, somehow, in that process I’ll start to get a feel for the book. What it’s about. And whether I want to adapt it.’
In the exclusive article, Nick expressed his desire to adapt Mick Jackson’s The Underground Man. It’s been a long time coming. It’s had to battle its way through round after round of arts cuts but thanks to persistence, cracking source material, and the support and determination of Nottingham Playhouse, Nick will be bringing this incredible story to the stage on 27 September 2016. It will be a co – production between Nottingham Playhouse and ajtc Theatre Company. After opening in Nottingham it will tour the region before spreading out nationally.
Andrew ‘Mulletproof’ Graves was the commissioned writer for Issue 8. Here he explored the life of the eccentric, subterranean Duke of Portland. Since then he’s had his second collection of poetry published (Light at the End of the Tenner) and is now preparing for his Arts Council funded spoken word show God Save the Teen which will initially tour the East Midlands. In it he recounts his past life as a council youth worker, offering tales of drugs, relationships, and the various mistakes that invariably become wisdom in later age. Your best bet for catching him locally is at the Nottingham Writers’ Studio on 25th September 7.30pm – £5.
As a freelance writer Adrian Reynolds, author of our Gotham Fool issue, has his fingers in many pies. He’s currently waiting to find out if he’s writing a low budget American feature film, which is contingent on fee and contract. Fingers crossed. In October his science fiction short White Lily will finally be viewable, initially by Kickstarter backers, and hopefully at Broadway Cinema’s Mayhem Festival. Elsewhere he’s got another sf short about to shoot in London once some minor script revisions have been approved and his online comic Dadtown now has a publisher, Canadian indie outfit Under Belly Comics. But best of all, as far we’re concerned, his Press When Illuminated talk will be featured at Nottingham Playhouse as part of their upcoming Conspiracy season.
Alyson Stoneman wrote our Ms Hood story for issue 10 and recently won the Buxton Poetry Prize on 7 July. The theme was ‘time’ and the prize was judged by Helen Mort. Aly’s poem ‘Windfalls’ laments the death of her father, a man of his time, through the changing landscape of an apple orchard.
Father, you pelted our legs with tiny windfall apples
when we looked for you at dusk. You would not recognize
the orchard now; a storm felled the old Bramley and Pippin,
we lost Browns and Discovery to voles, root-nibblers,
that long cold year the Crimson King rotted, crashed down.
Hard green apples bounced like raindrops, raised
bruises as we chased and hollered. You knew where
the robin nested, prime locations of knots and hollows,
you lifted me up to see, it was you made me flinch.
You watched Exeter burn when you were five.
Father, you came from a time hard as windfalls,
territorial as birdsong. When we buried you,
Spring sunshine fell through bare branches,
sheep bleating in orchards beyond the churchyard walls.
If you walked in now, you wouldn’t know us.
Wayne Burrows was our primary researcher and my first point of contact for odd and intriguing facts. I dubbed him Nottingham’s Stephen Fry for the arts years ago having worked with him on other projects. Wayne also helped write the biogs for our literary figures.
He’s just seen Black Glass go to press, which is effectively his greatest hits, poetry wise. The experimental collection Exotica Suite was launched at the New Art Exchange in July. The book is accompanied by a CD of the texts set to music by Paul Isherwood (The Soundcarriers). The launch events also included screenings. Crossing and merging art forms was a characteristic of Wayne’s editorial of Staple magazine. You can find plenty of copies of Staple at the Nottingham Writers’ Studio, but be warned; they’re ever so difficult to put down.
But where’s Robert Holcombe these days…
David Belbin, the author of our Stanley Middleton story in Issue 14, can finally put his feet up and concentrate on writing after successfully chairing Nottingham’s bid to be recognised as a UNESCO City of Literature. I’ve sat on those board meetings and there’s been some sweat. We find out the result on 11 December.
The Great Deception, the latest installment of his Bone and Cane serial, comes out later this year. In David’s words; ‘Sarah Bone is the Labour MP for the fictional, marginal constituency of Nottingham West. Nick Cane was her university boyfriend. He spent five years in prison for running a cannabis factory in a cave below his flat in The Park, but is now trying to shake off his criminal past. Through these two, I tell the story of Nottingham in the New Labour years. They’re mysteries with a serious undertow. The Great Deception features characters from the first two books but is also, in a way, the sequence’s origin story. It has three timelines – the sixties, the eighties and the nineties. There’s Sarah’s grandfather, who was a cabinet minister in Wilson’s governments, and her dad, who died of AIDS. There’s espionage and prostitution. Three prime ministers appear in the novel, along with one famous spy. The overall story’s about how lies can resonate through generations and the past is never really past.’
And yes, I know I’ve missed loads of other stuff out but a blog has to end at some point and there’s those Untold Stories that need a voice…
- Buxton Poetry Competition 2015 Winner and Other Good Things (alysonstoneman.wordpress.com)
- Nick Wood interview (leftlion.co.uk)
- Attention Poets! (mulletproofpoet.co.uk)
- White Lily Project Interview (bsfa.co.uk)
- Why You Should Read Widdershins (drying-ink.com)
- The Troll Book I (nicolamonaghan.com)
- This Playwright is working (nickwood.blogspot.co.uk)
- Exotica Suite (wayneburrows.wordpress.com)
- Nottingham City of Literature (davidbelbin.com)